On 2007-01-28 16:26, HotWaterDeath wrote:
I'm going to toss some more suggestions into the pot (Seeing as how there are certain forms of music that are a bit lacking in your collection...be it due to your preferences or whatever).
Basically, the precursor/harbringer of hardcore music in general. Not to mention, irrefutable proof that black-americans are responsible for virtually every major shift in western music.
Lightning-fast punk-rock complemented by shrill vocals belted out with the fury to match the onslaught of the instruments themselves. If that doesn't strike your fancy, they even have a few reggae numbers tossed in as well (And, as quirky as that sounds, it does little to detract from the overall experience).
This marked a bit of a departure from Fugazis general, straight-up hardcore (Emo, hardcore, post-hardcore, whatever) tendencies and showed them branching off and experimenting with various forms of music. Not the easiest record to dig into, but the efforts are well worth. Heck, you should just get all the Fugazi records while you're at it. These guys pretty much carried the torch for all things punk-rock (And I mean that in the sense that they not only practiced what they preached, free of the influence of mass-media...but were consistently pushing the limits of music in general) during the late-eights to the 21st century.
I'm sure Walter Schreifels turned more than a few heads with this thick slab of crushing post-hardcore back in the early-nineties (Considering his fame in prior posi-core unit Gorilla Biscuits). I've heard it compared to a mixture of "Strap It On" era Helmet and Fugazi, and while I can see bits and pieces of that in here, I'd hardly call it a "sonic tribute" to either band. Influencing many bands, but never duplicated.
These guys were freaking wizards with their respective instruments, and their odd tunes bring to mind a mixture of Black Sabbath and "Quickness" era Bad Brains (Only infinitely more complicated than either, in my mind). I'm guessing the reason it has been overlooked by most people is due to the fact that it was released on a label primary known for presenting the third-wave of hardcore (Revelation). Its definitely a journey...one that most of the Underdog (The singers band before Into Another)fans weren't able to appreciate.
Arguably the best metalcore band that ever existed, and this re-release happens to cover two of their best records (In my opinion). On the surface, it may appear dated, but thats only because every vegan-edge band from the mid-nineties and up was trying their darndest to recapture the sound on "Life. Love. Regret". In fact, thats probably the only band thing I have to say about these guys in general...the sonic landscape of '96 and up is littered with Unbroken copycats that can't match a fraction of their intensity (Just check the early Victory Records roster if you don't believe me...or don't).
Its Steve Albini (and friends) playing dissonant, angular rock that'd make your mother cry. Whats not to like?
My hands are tired. So I'll stop for now.
Connect With Us